john feeney

MUSIC FOR DOUBLE BASS

Quintet No.13 in C Minor – Full Score

SM-000180950
Альтернативное название
Dragonetti Quintet No.13
Композитор
Доменико Драгонетти
Издатель
John Feeney
Жанр
Классика / Камерная музыка
Инструменты
Скрипка, Альт, Виолончель, Контрабас
Состав исполнителей
Квинтет
Тип нот
Партитура
Тональность
До минор
Части
1 до 2 из 2
Время звучания
18'0"
Уровень сложности
Выше среднего

Описание
Quintet No. 13 – is scored for solo double bass, violin, two violas, and basso.The opening theme of the Adagio is taken from the second movement of Haydn’s Symphony No. 99, which was first heard in London shortly before Dragonetti’s arrival there in 1794. Dragonetti changed the mode of the theme from Haydn’s G major to C minor, altering the character dramatically. This gives the Adagio a tragic cast as well as an expansive feeling that sets the stage well for the extended scale figurations in the solo double-bass part. The thematic material of the Allegretto likewise owes much to a preexisting source, in this case a popular canzonetta (“Ho perso l’ogaletto”). This movement has a gracious and amiable affect and is punctuated by numerous instances of parallel fourths and fifths, perhaps an inside joke directed by the composer at some officious pedagogue. This is a really great one!

Дата публикации
07 мар 2013

Цена

Ноты включая лицензию на неограниченное число использований в течение года.
6.00 USD
PDF, 0.97 Мб (22 стр.)

Комментарии

John Feeney
24 мар 2013
CD Reveiws
The Strad's experts evaluate the latest string recordings
Dragonetti
Description: Accurate, muscular and impressively controlled playing by John Feeney, principal bassist of the Orchestra of St Luke’s

Musicians: Dragonetti’s New Academy: John Feeney (double bass) Loma Mar Quartet
Composer: Dragonetti
Piece: Quartet no.1, Quintets nos.13, 18 & 31
Published Code: Dragonetti’s New Academy DNA 2009
Domenico Dragonetti is best known for the reputation he made for himself as a double bassist in London. His music, here represented by string chamber works with bass, is charismatic and quirky – such as the ‘Alpine calls’ in the 18th Quintet. There is much virtuosity on display, both compositionally (testifying to Dragonetti’s legendary abilities) and in the accurate, muscular and impressively controlled playing of John Feeney, principal bassist of the Orchestra of St Luke’s.Ultimately, this is an important disc of historically interesting material and I can recommend it with enthusiasm.
John Feeney
23 мар 2013
sound sample from the CD Dragonetti's New Academy- available through iTunes, Amazon, CDBaby, Digstation and many others- http://www.cdbaby.com/cd/feeneyjohn

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